| BORN: | ||
| U.K. 1977 | ||
| LIVES/WORKS: | ||
| U.K. London | ||
| EDUCATION: | ||
| 2004-2007 | M.A. Fine Art | Royal Academy Schools |
| 2000-2003 | B.A. Honours Fine Art 1st Class | Middlesex University |
| SOLO EXHIBITIONS: | ||
| 2008 | The Cabinet | Brahause 5, Frankfurt |
| 2008 | Boundaries | Thomas Williams. London |
| SELECTED GROUP EXHIBITIONS: | ||
| 2009 | New Young British Art (curated by Edward Lucie-Smith) | Werkstatt Galerie, Berlin |
| 2009 | The Future Can Wait (curated by Zavier Ellis & Simon Rumley) | Old Truman Brewery, London |
| 2009 | New London School (curated by Zavier Ellis & Simon Rumley) | Galerie Schuster, Berlin |
| 2008 | The Future Can Wait (curated by Zavier Ellis & Simon Rumley) | Old Truman Brewery, London |
| 2008 | The Smallest Art Fair in the World | Anna Kustera Gallery, New York |
| 2008 | Anticipation (Kay Saatchi, Catriona Warren) | Selfridges, London |
| 2008 | A stain upon the silence (Chris Page, Chris Shilling) | St. Martins College of Art, London |
| 2008 | The Past is History (Zavier Ellis, Simon Rumley) | Changing Role Gallery, Rome and Naples |
| 2008 | New London School (Zavier Ellis, Simon Rumley) | Mark Moore Gallery, L.A. |
| 2008 | Icon (curated by Hugh Mendes) | Primo Alonso Gallery, London |
| 2007 | The Future Can Wait (Zavier Ellis, Simon Rumley) | Ellis Rumley Projects, Atlantis Gallery, London |
| 2006 | RA 5 | Lennon Weinberg, New York |
| 2006 | Royal Academy Show | Wisniez Castle, Krakow |
| 2005 | 50 Selected artists | Hollow Salon, London |
| 2004 | 12 Award winners Show | Florence Trust, London |
| AWARDS & RESIDENCIES: | ||
| 2007 | ||
| 2005 | Sturdley Award | |
| 2004 | British Institute Award | |
| 2003-2004 | Florence Trust Studio Award | |
| BIBLIOGRAPHY: | ||
| 2008 | The Future Can Wait, Exhibition Catalogue | |
| 2008 (Jul) | The Times Magazine, ‘Saatchi after Saatchi’, Ginny Dougray | |
| 2007 (Oct) | The Times, ‘Oh You Pretty Things’, Derwent May | |
| 2007 (Aug) | Sunday Times, Guide to the Fairs, Richard Clayton | |
| 2007 | Bon International (No.12), ‘15 Young Masters’, Freire Barnes | |
| 2007 | Miser & Now (Issue 10), Q&A | |
| COLLECTIONS: | ||
|
Carlos Fragoso, | ||
|
David Roberts, | ||
|
Sir Norman Rosenthal, |
||
|
Kay Saatchi, | ||
|
Private collections in | ||
| ARTIST STATEMENT: | ||
| Jackson’s practise is fuelled by a desire to engage and understand certain problems when faced with a specific image. These images derive from a fascination and pleasure involved in the world of the violent, de-based, voyeuristic and animal. Ideas of freedom both physically and mentally are played out in a scene linked within an internal anxiety that both propels and immerses both the head and the heart, opening a space wherein the viewer and the artist are placed with a forum of power relations underpinned by its need of paint and life. | ||