| BORN: | - | - |
| UK, 1968 | - | - |
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| LIVES/WORKS: | - | - |
| London, UK | - | - |
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| EDUCATION: | - | - |
| 2002-2004 | MA Fine Art | Goldsmiths, University of London |
| 1995-1997 | MA Fine Art | Nottingham Trent University |
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| SOLO EXHIBITIONS: | - | - |
| 2009 | Chromodomo: Laura White | The Wall House #2, Groningen,Holland |
| 2009 | If I had a monkey I wouldn’t need a TV – Part 2 | Carter Presents, London |
| 2009 | If I had a monkey I wouldn’t need a TV – Part 1 | Castlefield Gallery, Manchester |
| 2007 | Powwow | Gallery-33, Berlin |
| 2006 | Into the Cold Light | Transition Gallery, London |
| 2007 | Laura White: New Work | Firstsite Gallery, Colchester |
| 2007 | Laura White: New Work | Firstsite Gallery, Colchester |
| SELECTED GROUP EXHIBITIONS: | ||
| 2009 | The Earth Not a Globe 2 | Rokeby, London |
| 2009 | Between my Finger and my Thumb | Schwartz Gallery, London |
| 2009 | Fault Line: Art in the Age of Anxiety | Nunnery Gallery, London |
| 2008 | STUFF | The Wharf Road Project, London |
| 2008 | The Famous, the Infamous & the Really Quite Good | Decima Gallery, London |
| 2007 | Play | Bearspace@The Cello Factory. London |
| 2007 | Intervention | Fieldgate Gallery, London |
| 2007 | Multicomplexificationalities | Nunnery Gallery, London |
| 2007 | Eau Savage Part 2 | Fieldgate Gallery, London |
| 2006 | Eau Savage | Lucy Mackintosh Gallery, Luasanne, Switzerland |
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| AWARDS & RESIDENCIES: | - | |
| 2009 | Sandarbh Residency, Belper, Derbyshire, UK | |
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| BIBLIOGRAPHY: | - | |
|
2009 Laura White:
The Stuff of Images.
Castlefield Publications.
Concept, editing and design Laura White
and Graphic Design Studio HIT. ISBN
978-0-9559557-1-6 |
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2009 The
Earth Not a Globe. Dani Admiss and Dave Charlesworth. Published
Rokeby, London. Exhibition
catalogue. |
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| 2009 Fault Line: Art in the Age of Anxiety. Sarah Elson. Published by Bow Arts Trust and the Nunnery. Edited by Jeremy Clark. Exhibition catalogue. | ||
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| ARTIST STATEMENT: | - | |
|
Exploring the language of sculpture Laura White uses a range of
materials from everyday objects to constructed matter. She is
interested in our relationship and negotiation with the ‘stuff’
of the world, from
the readymade to the handmade, image to objects, the
representational to the abstract, playing with the fluctuation
of value, association and meaning of individual and collections
of objects.
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