| BORN: | - | - |
| UK, 1980 | - | - |
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| LIVES/WORKS: | - | - |
| London, UK | - | - |
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| EDUCATION: | - | - |
| 2003-2005 | MA Painting | Royal College of Art, Kensington, London |
| 2000-2003 | BA (Hons) Fine Art Painting | Winchester School of Arts, Winchester, Hants |
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| SOLO EXHIBITIONS: | - | - |
| 2008 | Ennui | Backlit Studios, Nottingham, UK |
| 2008 | H.E | FAS London, UK |
| 2006 | No 2 | Meals and SUVs, London, UK |
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| SELECTED GROUP EXHIBITIONS: | ||
| 2009 | Memories and Encounters | Viafarini, Milan, Italy |
| 2009 | British Art Now | Hermitage Museum, St Petersburg, Russia |
| 2009 | O / A Stiff New Speak: Bandeau (Curated by Nicholas Byrne and Gareth Bell Jones | Tricycle Arts Centre, Kilburn, London |
| 2009 | Straylight Cavern | Cell Project Space, London |
| 2009 | Group Show TC Open | Turner Contemporary, Margate, UK |
| 2009 | Stranger Things are Happening, (curated by Jude Bennett) | Aspex Gallery, Portsmouth, UK |
| 2008 | Straylight Cavern | Cooper Gallery, Duncan & Jordanstone School of Art, Dundee, Scotland |
| 2008 | From Panic to Power (curated by Brian Bress) | Angstrom Gallery, Los Angeles, USA |
| 2008 | The Brotherhood of Subterreanea, (organised by Ben Judd) | Kunstbunker Nuremberg, Germany |
| 2008 | Wassail | Cell Project Space, London |
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| AWARDS & RESIDENCIES: | - | |
| 2009 | Scottish Sculpture Workshop Summer Residency, Aberdeenshire, Scotland | |
| 2009 | ViaFarini, Milan, Italy (Nominated by Runa Islam) | |
| 2008 | Braziers International Workshop Residency, Oxford, UK | |
| 2007 | Skowhegan School of Painting and Sculpture Residency, Maine, USA | |
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| BIBLIOGRAPHY: | - | |
| Jan/Feb 2009 | Alex Hetherington, Straylight Cavern, AN Magazine | |
| Dec 17 2008 | Wayne Burrows, Art Review: Jonathan Baldock, METROlife | |
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| COLLECTIONS: | - | - |
| The Saatchi Collection, London | ||
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The David Roberts Collection, London |
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| ARTIST STATEMENT: | - | |
| Jonathan Baldock makes theatrical and darkly humorous objects and paintings, which are often influenced by traditions of folklore and ritual. At times sinister and unattractive, and at others socially scathing, Baldock's paintings and sculptures looks at the nature of beauty, celebrity and social perceptions of what art should be. | ||