| BORN: | - | - |
| UK, 1969 | - | - |
| - | - | - |
| LIVES/WORKS: | - | - |
| Nottingham, UK | - | - |
| - | - | - |
| EDUCATION: | - | - |
| 2002-Cur | PhD in Fine Art | Middlesex University |
| 1996-1998 | MA in Fine Art | BIAD |
| - | - | - |
| SOLO EXHIBITIONS: | - | - |
| 2007 | Five Years | Artsadmin, London |
| - | - | - |
| SELECTED GROUP EXHIBITIONS: | ||
| 2009 | EASTinternational | Norwich University College of the Arts, Norwich |
| 2009 | EASTvideo |
Eastside Projects, Birmingham; Picture This at Spike Island,
Bristol; The Charlton Centre, Dover; Spacex, Exeter; BALTIC,
Gateshead; Transmission (Glasgow), The Royal Standard,
Liverpool; MOOT, Nottingham; Aspex, Portsmouth; S1 Artspace,
Sheffield; Focal Point Gallery, Southend-on-Sea; tank.tv, online
at www.tank.tv
|
| 2009 | East End Collaborations | Queen Mary University, Londo |
| 2009 | Animalism | National Media Museum, Bradford |
| 2009 | Ubicuo: Traslados Visuales | Ex Teresa Arte Actual, Mexico City |
| 2009 | The Animal Gaze | Peninsula Arts Gallery, Plymouth |
| 2008 | The Animal Gaze | Unit 2 Gallery, London |
| 2008 | The Future Can Wait | Old Truman Brewery, London |
| 2008 | Drawn Together | Greestone Gallery, Lincoln |
| 2008 | B-Sides, Upgrade! | International Festival, Ménagerie de Verre, Paris |
| 2007 | B-Sides, Upgrade! | International Festival touring Montreal & Vancouver |
| 2007 | Il Giardino Segreto | Primo Piano LivinGallery, Lecce |
| 2007 | I Am Your Worst Nightmare | Arnolfini, Bristol |
| 2007 | Les Carnival des Animaux | The Embassy, Edinburgh |
| 2006 | 12th International Sample of Performance Art | Ex Teresa Arte Actual, Mexico City |
| 2006 | Beauty and the Beast | Fieldgate Gallery, London |
| 2006 | Sensitive Skin | Future Factory, Nottingham |
| 2006 | Body Parts 2 | Royal Scottish Academy, Edinburgh |
| 2005 | Artconcept | Art Laboratories, St. Petersburg |
| 2005 | National Review of Live Art | The Arches, Glasgow |
| 2004 | Inport | Von Krahl, Estonia |
| 2004 | Britney’s Smears | Catalyst Arts, Belfast |
| 2004 | Sensitive Skin | Future Factory, Nottingham |
| 2004 | Field of Vision | The Lab Gallery, New York |
| 2003 | East End Collaborations | QMUL, London |
| 2003 | Brief Interludes | Angel Row Gallery, Nottingham |
| - | - | - |
| AWARDS & RESIDENCIES: | - | |
| 2005 | Research and Development Grant, Arts Council England | |
| 2004 | Artsadmin Bursary | |
| 2004 | Research and Development Grant, Arts Council England | |
| - | - | - |
| BIBLIOGRAPHY: | - | |
| Zerihan, R. (2009) The Live Art Development Agency Study Room Guide on One to One Performance, London, Live Art | ||
|
Development agency, online at:
http://www.thisisliveart.co.uk/pdf_docs/Zerihan_SRG_Final2.pdf |
||
|
Morris, L. (ed.) (2009)
EASTbook, Norwich, Beckland Print. |
||
| Bartram, A. (2009) ‘The Live Art Lasagne’ In: The Live Art Development Agency (eds.) Everything You Wanted to Know About Live | ||
|
Art But Were Afraid to Ask,
London, Unlimited, DVD. |
||
|
Bartram, A. (2007) Five
Years, Lincoln, University Press. |
||
|
Bartram, A. (ed.) (2007)
Talking Margins symposium proceedings, Lincoln, University
Press. |
||
|
Bartram, A. (2007) ‘Donna Haraway: Live Theory by Joseph
Schneider’ (book review),
Media, Culture and Society 29 (5), 843-844. |
||
|
Mayhew, H. (2001) The
Britart Directory.
Sheffield, HMP. |
||
| - | - | - |
| ARTIST STATEMENT: | - | |
| Closeness is a condition that impacts on the individual. A trace is left as corollary of the sufferance we feel at having an unwanted other close by: the metaphorical stain that is left by an unwelcome approach reminds us that we are mortal and physical beings. Unsolicited and personal, this serves to remind us that we are essentially animal: we wear the effect on our skin. It questions where humanity begins and animality ends. | ||