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BORN: |
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| BRITAIN, 1973 |
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LIVES/WORKS: |
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| LONDON
BRITAIN |
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EDUCATION: |
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| 2008-10 |
MFA in Fine
Art Practice |
Goldsmiths University of London |
| 1993-97 |
BA Honours Degree in North American Studies |
Manchester University |
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SOLO EXHIBITIONS: |
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| 2008 |
‘Clown Crash’ |
Apartment gallery, Manchester |
| 2007 |
‘Raw State’ |
Vox Pop gallery, Manchester |
| 2007 |
‘Dirty, Shiny’ |
Manchester Design Centre |
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SELECTED GROUP EXHIBITIONS: |
| 2009 |
Police and Violence |
Sassoon Gallery, London |
| 2009 |
Kiss of a lifetime |
Vain Gallery Newcastle |
| 2009 |
The Future Can Wait |
Gallery Shuster, Berlin |
| 2009 |
Pause & Eject |
Rag Factory London |
| 2009 |
Section 6 |
Cotal Street Gallery London |
| 2008 |
The Future Can Wait |
Truman Brewery, London |
| 2008 |
‘The Past is History part 2’ |
Changing Role Gallery, Naples |
| 2008 |
‘The Past is History part 1’ |
Changing Role Gallery, Rome |
| 2007 |
‘The Future Can Wait’ |
Ellis Rumley Projects, Atlantis Gallery, London |
| 2007 |
‘Manky Bastards’ |
The Fridge Gallery, Glasgow |
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AWARDS & RESIDENCIES: |
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| 2009 |
Best of Manchester,
Urbis |
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2005-8 |
Manchester Design Centre Residency |
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BIBLIOGRAPHY: |
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2009 |
Strange Trees |
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2008, May |
Viatico |
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2007, October |
The Art Newspaper |
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2007, October |
‘Aesthetica’ |
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COLLECTIONS: |
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Malcolm McLaren, London |
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Helmut Schuster, Frankfurt, Berlin |
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Private Collections in Italy, United Kingdom & United States |
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ARTIST STATEMENT: |
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My intentions here are to investigate discourses in sexuality,
the self, insanity, the grotesque and death. My work is a
reflection of the broken self, the re-invention of self, and the
expression of repressed anger. My experience within the Graffiti
art movement was one of ritualized anarchy and rebellion, which
provided an outlet for powerful, destructive emotions. Clowns
have traditionally had a license to push boundaries and express
human paradox in a social arena, which is why I have chosen to
explore the clown alter-ego in performance. |
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