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| BORN: | |
| | U.K. 1977
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| LIVES/WORKS: |
| | | U.K. London
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| EDUCATION: |
| 2004-2007 |
M.A. Fine Art |
Royal Academy Schools |
| 2003-2007 |
B.A. Honours Fine Art 1st Class |
Middlesex University |
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| SOLO EXHIBITIONS: |
| 2008 | The Cabinet |
Brahause 5, Frankfurt |
| 2008 | Boundaries |
Thomas Williams. London |
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| SELECTED GROUP EXHIBITIONS: |
| 2008 | Anticipation (Kay Saatchi, Catriona Warren) |
Selfridges, London |
| 2008 | A stain upon the silence (Chris Page, Chris Shilling) |
St. Martins College of Art, London |
| 2008 | The Past is History (Zavier Ellis, Simon Rumley) |
Changing Role Gallery, Rome and Naples |
| 2008 | New London School (Zavier Ellis, Simon Rumley) |
Mark Moore Gallery, L.A. |
| 2008 | Icon (curated by Hugh Mendes) |
Primo Alonso Gallery, London |
| 2007 | The Future Can Wait (Zavier Ellis, Simon Rumley) |
Ellis Rumley Projects, Atlantis Gallery, London |
| 2006 | RA 5 |
Lennon Weinberg, New York |
| 2006 | Royal Academy Show |
Wisniez Castle, Krakow |
| 2005 | 50 Selected artists |
Hollow Salon, London |
| 2004 | 12 Award winners Show |
Florence Trust, London |
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| AWARDS & RESIDENCIES: |
| 2000-2004
| Florence Trust Studio Award
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| BIBLIOGRAPHY: |
| Bon International, no.12
| 15 Young Masters, Friere Barnes
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| Miser and Now, Issue 10
| Q&A.
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| Sunday Times, Aug 2007
| A guide to the fairs, Richard Clayton
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| The Times, Oct 2007
| Oh you pretty things, Derwent May
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| COLLECTIONS: |
| Private Collections in Switzerland, Germany, U.S.A. and U.K. |
| Sir Norman Rosenthal |
| David Roberts |
| Kay Saatchi |
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| ARTIST STATEMENT: |
| Jackson’s practise is fuelled by a desire to engage and understand certain problems when faced with a specific image. These images derive from a fascination and pleasure involved in the world of the violent, de-based, voyeuristic and animal. Ideas of freedom both physically and mentally are played out in a scene linked within an internal anxiety that both propels and immerses both the head and the heart, opening a space wherein the viewer and the artist are placed with a forum of power relations underpinned by its need of paint and life.
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