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BORN: |
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| U.K. 1972 |
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LIVES/WORKS: |
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| London, U.K.,
Dublin, Ireland |
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EDUCATION: |
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| 2002-2004 |
MFA | The
Slade School |
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1991-1995 |
BA |
Limerick School of Art & Design |
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SOLO EXHIBITIONS: |
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| upcoming |
I live in the cracks in the walls |
Pallas Contemporary Projects, Dublin |
| 2007 |
White Picket Fencing |
The Belltable Arts Centre, Limerick, Ireland |
| 2007 |
The Long Goodbye |
Droichead Arts Centre, Drogheda, Ireland |
| 2005 |
Sea of Unknowing |
Pallas Heights, Dublin, Ireland |
| 2004 |
No Man’s Land |
West Cork Arts Centre, Co. Cork, Ireland |
| 2002 |
Dirty Trash |
Drogheda Arts Centre, Drogheda, Ireland |
| 1999 |
Woman |
Friar’s Gate Theatre, Co. Limerick, Ireland |
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SELECTED GROUP EXHIBITIONS: |
| 2008 |
Parallax |
Fieldgate Gallery, London |
| 2008 |
Defining Space |
Original Print Gallery, Dublin |
| 2007 |
The Future Can Wait, Ellis Rumley Projects |
Atlantis Gallery, London |
| 2007 |
Walking through Walls |
Artist’s Gallery, Museum of Art, Tel Aviv |
| 2007 |
Milestones |
Black Church Print Studio, Dublin |
| 2007 |
Spring Salon 07 |
Energy Gallery, Toronto, Canada |
| 2007 |
Sound:Space |
Sound Symposium, Bracknell, UK |
| 2007 |
Cead in China |
travelling to Shanghai, Beijing, Hangzhou |
| 2007 |
Hung, drawn & quartered |
Original Print Gallery, Dublin & Carlinn Gallery, Carlingford |
| 2006 |
Site-specific Exhibition |
Backwater Artists Group, Cork |
| 2006 |
The Birmingham School of Business School |
Colony, Birmingham |
| 2006 |
Black: Implication Flooding |
Colony, Birmingham |
| 2006 |
Another Product Exhibition |
Cornerhouse, Manchester |
| 2005 |
All at once, together, at the same time |
Colony, Birmingham |
| 2005 |
Contemporary Prints 3 |
London Print Studio, London |
| 2005 |
Artist as Publisher |
The Workroom Gallery, Dublin |
| 2005 |
Clo | 411
Gallery, China |
| 2004 |
Young Gods |
Clapham Art Gallery, London |
| 2004 |
M.F.A. / M.A. Graduate Show |
The Slade School of Fine Art, London |
| 2004 |
RHA Annual Show |
Royal Hibernian Academy, Dublin (invited artist) |
| 2003 |
Annual Exhibition of Prints |
Machida Municipal Museum of Prints, Tokyo |
| 2003 |
Contemporary Prints 1 |
London Print Studio, London |
| 2003 |
Portraits |
Original Print Gallery, Dublin |
| 2003 |
ConTon |
Trinity Buoy Wharf, London |
| 2003 |
Interim Show |
Slade School of Fine Art, London |
| 2003 |
AIB Art Prize |
Royal Hibernian Academy, Dublin |
| 2003 |
Fresh Fruit |
Pallas Studios, Dublin |
| 2002 |
Fresh Art Fair |
Islington Business Centre, London |
| 2002 |
Proof |
The Workroom, Dublin |
| 2002 |
Print Alternatives |
West Cork Arts Centre, Skibbereen, Cork |
| 2002 |
Semi-Detached |
Original Print Gallery, Dublin |
| 2001 |
From Ritual to Romance |
Catalyst Arts, Belfast |
| 2001 |
2 | World
Festival of Art on Paper, Ljubljana, Slovenia |
| 2001 |
Print |
The Cross Gallery, Dublin |
| 2001 |
Print / Estampe 2001 |
Cite Internationale des Arts, Paris |
| 2000 |
119th Annual Exhibition |
Royal Ulster Academy, Belfast |
| 2000 |
The Emperor’s Wardrobe |
Original Print Gallery, Dublin, and Butler Gallery, Kilkenny |
| 2000 |
Wish You Were Here |
Original Print Gallery, Dublin, and Triskel Arts Centre, Cork |
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AWARDS & RESIDENCIES: |
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2008-2010 |
Artist Bursary, Arts Council of Ireland |
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2008-2011 |
Artist-in-Residence, Fire Station Artists Studios |
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2007 |
Artist Bursary, Arts Council of Ireland |
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2006 |
Artist Bursary, Arts Council of Ireland |
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2004 |
Adrian Carruthers Award, The Slade School of Fine Art, London
(short listed) |
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2003 |
Arts and Humanities Research Board, London |
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2003 |
Mary Farl Powers Award for Printmakers, Arts Council of Ireland |
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2003 |
Professional Development & Training Award, Arts Council of
Ireland |
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2003 |
AIB Art Prize, Dublin (shortlisted) |
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2002 |
The South Square Trust, The Slade School of Fine Art, London |
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2002 |
Euan Uglow Scholarship, The Slade School of Fine Art, London |
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2002 |
Artists Bursary, Dublin City Council |
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2002 |
Professional Development & Training Award, Arts Council of
Ireland |
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2001 |
2. World Festival of Art on Paper, Ljubljana (short listed) |
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2001 |
Artflight Travel Award, Arts Council of Ireland |
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2000 |
Visual Art Documentation Grant, Arts Council of Ireland |
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1999 |
Artist-in-Residence, Arts Council of Ireland |
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BIBLIOGRAPHY: |
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06-2008 |
Eimear McKeith, Defining Space, Circa Art Magazine |
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Summer 2008 |
Riann Coulter, The AIB Prize, The Irish Arts Review |
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16-05-2008 |
Marc O’Sullivan, Artistic Visions, The Irish Examiner |
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05-03-2008 |
Aidan Dunne, Metaphysical Attraction, The Irish Times |
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2007 |
Paul McAree, Sea of Unknowing, Pallas Heights 2003-2006 book |
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27-06-2007 |
Aidan Dunne, A vulnerable, beautiful, last goodbye, The Irish
Times |
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2007 |
Kate Betts, Milestones, Milestones exhibition catalogue |
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2007 |
James Ryan, Cead in China, exhibition catalogue |
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15-12-2005 |
Aidan Dunne, Corks lost opportunities, The Irish Times |
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12-11-2007 |
Aidan Dunne, Irish studios revel in the power of the print, The
Irish Times |
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19-10-2005 |
Aidan Dunne, Open to our interpretation, The Irish Times |
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2005 |
James Ryan, Clo in China, exhibition catalogue |
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2005 |
Alison Pilkington, Artist as Publisher, exhibition catalogue |
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11-2005 |
Paul McAree, Sea of Unknowing, www.recirca.com |
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04-11-2004 |
James McCreavy, No Man’s Land, The Southern Star |
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05-04-2003 |
Aidan Dunne, Exciting photo finish, The Irish Times |
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20-02-2002 |
Aidan Dunne, Evocations of Childhood, The Irish Times |
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17-02-2002 |
Marianne Hartigan, Northern Exposure, The Sunday Tribune |
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10-11-2001 |
Annette Moloney, Limerick Small Print, Art Bulletin |
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01-02-2001 |
Pauline Casey, Art Alternatives, Art Bulletin |
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2001 |
Avril Percival, Print /Estampe 2001, exhibition catalogue |
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COLLECTIONS: |
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AIB Art Collection, Dublin |
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AXA Insurance, Dublin |
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G.E. Aviation, Limerick |
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Limerick School of Art & Design |
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Private Collections in London, New York, Paris, Ljubljana,
Dublin, Limerick, Cork, Belfast, Glasgow, Liverpool, |
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ARTIST STATEMENT: |
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My work refers to an in-between space, one that
is reflective of social, psychological and / or physical
conditions. It infers states of psychological discomfort and
ensuing behavioural conditions such as obsessive behavioural
patterns, paranoia, a compulsion to control, agoraphobia,
claustrophobia etc.
My practice is multidisciplinary and location is fundamental to
my concerns. I use installation as a material through which the
emotive experience of a space is manipulated to create a
disorientating psychological environment. The spaces I interfere
with become highly sensory environments. Using devices such as
sporadic sound, live malfunction, scale, and the multiple, I
wish to affect the psyche of the viewer through an involuntary,
sensory response to the work.
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