BORN: - -
UK 1964 - -
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LIVES/WORKS: - -
London UK - -
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EDUCATION: - -
2002-2004 MA Sculpture Royal College of Art
1996-2001 BA Fine Art (1st) University College for the Creative Arts
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SOLO EXHIBITIONS: - -
2007 All at Sea Platts Eyot, London
2005 Parterre Atrium Gallery, London
2005 IssueM2 Gallery, London
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SELECTED GROUP EXHIBITIONS:
2008 TBCArt Omi, New York
2008 The Animal Gaze (curated by Rosemarie McGoldrick) London Metropolitan University, London
2008 Royal Academy Summer Exhibition Royal Academy, London
2008 Gothic (curated by Richard Ducker) Fieldgate Gallery, London
2007 Dunkelheit (curated by Annabelle Moreau) Flora Fairbairn Projects, St Pancras Crypt, London
2007 Flora Fairbairn Projects, St Pancras Crypt, LondonThrough the Looking Glass (curated by ARTed) Building 1000, Royal Albert Docks, London
2006 This & That (two-person show with Susan Stockwell) Shenghua Art Centre, Nanjing, China 
2005 Peculiar Encounters (curated by Sarah Dwyer and Laura Green) ecArtspace, London
2005 Siege (curated by Angela Huntbach) Sidney Street, London
2005 MA & Postgraduate Atkinson Gallery, Street, Somerset
2004 Galleon and Other Stories Saatchi Gallery, London
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AWARDS & RESIDENCIES: -
2008 Art Omi International Artists Residency, New York, USA
2006 Shenghua International Artists Residency, Nanjing, China
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BIBLIOGRAPHY: -
2007 (Jun) Emma Lilley Times Newspaper, London Special Features
2006 (Jan) Michael Piggott Map Magazine, Nanjing, China Foreign news editor
2005 (Nov) Alice O’Keefe The Observer Newspaper, London Arts and Media Correspondent
2004 (Jul) Front Row BBC Radio 4 Discussion/review Janet Street Porter and Mark Lawson
2004 (Jul) London News BBC 1 Television Interview
2004 (Jul) Richard Dorment  The Daily Telegraph, London     Art Critic
2004 (Jul) Jonathan Jones   The Guardian Newspaper, London Art Critic
2004 (Jul) Dalliah Alberg       Times Newspaper, London Art Critic  
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COLLECTIONS: - -
Saatchi Collection, UK
Shenghua Art Centre, Nanjing, China
Art Omi Collection, New York, USA
University College for the Creative Arts, UK
Various private collections in UK, Middle East and USA
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ARTIST STATEMENT: -
My work questions the very nature of beauty: beauty can be about a problem; it can be something that repels you, such as pigeon feathers, or makes you question the status quo. Central to my method is collaboration: using a material en masse that cannot be bought involves galvanising hundreds of pigeon fanciers into sending me the thousands of feathers each work demands. They need to care enough about my project to collect up their birds’ moultings – merely a waste product to them – and commit them to the post, to an artist they’ve never heard of, to make a work they may never see. But as I shape the thousands of feathers back into a single form, the effort dissolves – it’s as if the birds have finally ‘come home’.