BORN: - -
Scotland, 1982 - -
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LIVES/WORKS: - -
London, UK - -
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EDUCATION: - -
2000 - 2004 BA (Hons) Sculpture Edinburgh College of Art
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SOLO EXHIBITIONS: - -
2008 ‘Jock Mooney’ (The Skinny Showcase) Bongo Club, Edinburgh
2008 ‘A Feast of Folly’ Vane, Newcastle upon Tyne
2008 ‘A Show Withdrawn’ Galleri 5, Lund, Sweden
2008 ‘That pig from Tokyo’ Waygood Gallery and Studios
2008 ‘Harker Herald’ billboard project, Newcastle upon Tyne
2008 ‘Discontinued’ Waygood Gallery and Studios, Newcastle upon Tyne
2007 ‘Funland was no more’ Gimpel Fils, London
2006 ‘I wish I had electricity in my fingers then I’d blast ya’ Vane, Newcastle upon Tyne
2006 ‘Studio Project #4’, Artist in residence show Market Gallery, Glasgow
’2005 ‘XL2’ Vilnius Dailes Akademija, Vilnius, Lithuania
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SELECTED GROUP EXHIBITIONS:
2008 ‘The Future Can Wait’ Old Truman Brewery, London
2008 ‘Stolen presents...’ The Aquarium L-13 Gallery, London
2008 ‘Salon’ Whitecross Gallery, London
2008 ‘WYGD Slow TV’ Waygood on High Bridge, Newcastle upon Tyne
2007 ‘Vane Shorts 2’ Vane, Newcastle upon Tyne
2007 ‘EMERGENCY3’ Aspex, Portsmouth
2007 ‘Review’ Gimpel Fils, London
2007 ‘Play’ Bearspace (@Cello Factory), London
2006 ‘Greater than Ever’ Main Gallery, Dick Institute, Kilmarnock
2006 ‘Summer Exhibition’ Royal Academy, London
2006 ‘normalife unlimited’, curated by normalife 6 Neal’s Yard, London
2005 ‘Space’ Rednile Group, Sunderland
2005 ‘Out of the Ordinary’ The Travelling Gallery, City Arts Centre, Edinburgh
2004 ‘Voodoo Shit’ Hales Gallery, London
2004 ‘Brave Art’ The Atrium Gallery, London
2004 ‘Best in Show’ the Embassy Gallery, Edinburgh
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AWARDS & RESIDENCIES: -
2008 Arts Council England individual funding (for publication 'Jock Mooney' 2008)
2005 Artist in Residence, ‘Studio Project #4’, Market Gallery, Glasgow
2005 Artist in Residence, ‘Space’, Rednile Group, Sunderland
2004 The Cross Trust, Perth, vacation studies award
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BIBLIOGRAPHY: -
'Jock Mooney', Arts Council funded book, 80 page colour hardback, edition 300. Essay 'Feast of Folly' by John Beagles.
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COLLECTIONS: - -
Private Collections in Edniburgh, Newcastle, New York, London.
Personal collection of Sune & Marianne Nordgren, Sweden.
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ARTIST STATEMENT: -
If Mooney’s work were simply a sour expulsion of bile, superior snapshots of other people’s hell, it would be unremittingly grim, like being accosted by a bellicose drunk on a night bus home. Fortunately, the humour that riddles his work saves it from hectoring hollowness. Like carnival humour, there’s a sense of a twisted community of desperation, defiantly asserting its right not to be squashed by the banal horror of our ‘Ikea society’. This spirit of perhaps futile defiance finds amusing expression in Mooney’s picture of a hairy, grubby head (like Dave Lee Travis on PCP). Twisting the cloying tagline of the old Remington advert (“I liked it so much I bought the company”) Mooney’s sticks the proverbial two fingers up with his corporate motto “he hated it so much he didn’t buy the company”.  (John Beagles, from the essay 'A Feast of Folly').