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BORN: |
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| Scotland, 1982 |
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LIVES/WORKS: |
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| London, UK |
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EDUCATION: |
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| 2000 - 2004 |
BA (Hons) Sculpture |
Edinburgh College of Art |
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SOLO EXHIBITIONS: |
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| 2008 |
‘Jock Mooney’ (The Skinny Showcase) |
Bongo Club, Edinburgh |
| 2008 |
‘A Feast of Folly’ |
Vane, Newcastle upon Tyne |
| 2008 |
‘A Show Withdrawn’ |
Galleri 5, Lund, Sweden |
| 2008 |
‘That pig from Tokyo’ |
Waygood Gallery and Studios |
| 2008 |
‘Harker Herald’ |
billboard project, Newcastle upon Tyne |
| 2008 |
‘Discontinued’ |
Waygood Gallery and Studios, Newcastle upon Tyne |
| 2007 |
‘Funland was no more’ |
Gimpel Fils, London |
| 2006 |
‘I wish I had electricity in my
fingers then I’d blast ya’ |
Vane, Newcastle upon Tyne |
| 2006 |
‘Studio Project #4’, Artist in residence show |
Market Gallery, Glasgow |
| ’2005 |
‘XL2’ |
Vilnius Dailes Akademija, Vilnius, Lithuania |
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SELECTED GROUP EXHIBITIONS: |
| 2008 |
‘The Future Can Wait’ |
Old Truman Brewery, London |
| 2008 |
‘Stolen presents...’ |
The Aquarium L-13 Gallery, London |
| 2008 |
‘Salon’ |
Whitecross Gallery, London |
| 2008 |
‘WYGD Slow TV’ |
Waygood on High Bridge, Newcastle upon Tyne |
| 2007 |
‘Vane Shorts 2’ |
Vane, Newcastle upon Tyne |
| 2007 |
‘EMERGENCY3’ |
Aspex, Portsmouth |
| 2007 |
‘Review’ |
Gimpel Fils, London |
| 2007 |
‘Play’ |
Bearspace (@Cello Factory), London |
| 2006 |
‘Greater than Ever’ |
Main Gallery, Dick Institute, Kilmarnock |
| 2006 |
‘Summer Exhibition’ |
Royal Academy, London |
| 2006 |
‘normalife unlimited’, curated by normalife |
6 Neal’s Yard, London |
| 2005 |
‘Space’ |
Rednile Group, Sunderland |
| 2005 |
‘Out of the Ordinary’ |
The Travelling Gallery, City Arts Centre, Edinburgh |
| 2004 |
‘Voodoo Shit’ |
Hales Gallery, London |
| 2004 |
‘Brave Art’ |
The Atrium Gallery, London |
| 2004 |
‘Best in Show’ |
the Embassy Gallery, Edinburgh |
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AWARDS & RESIDENCIES: |
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2008 |
Arts Council England individual funding (for publication 'Jock
Mooney' 2008) |
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2005 |
Artist in Residence, ‘Studio Project #4’, Market Gallery,
Glasgow |
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2005 |
Artist in Residence, ‘Space’, Rednile Group, Sunderland |
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2004 |
The Cross Trust, Perth, vacation studies award |
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BIBLIOGRAPHY: |
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'Jock Mooney', Arts Council funded book, 80 page colour
hardback, edition 300. Essay 'Feast of Folly' by John Beagles. |
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COLLECTIONS: |
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Private Collections in Edniburgh, Newcastle, New York, London. |
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Personal collection of Sune & Marianne Nordgren, Sweden. |
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ARTIST STATEMENT: |
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If Mooney’s work were simply a sour expulsion of bile, superior
snapshots of other people’s hell, it would be unremittingly
grim, like being accosted by a bellicose drunk on a night bus
home. Fortunately, the humour that riddles his work saves it
from hectoring hollowness. Like carnival humour, there’s a sense
of a twisted community of desperation, defiantly asserting its
right not to be squashed by the banal horror of our ‘Ikea
society’. This spirit of perhaps futile defiance finds amusing
expression in Mooney’s picture of a hairy, grubby head (like
Dave Lee Travis on PCP). Twisting the cloying tagline of the old
Remington advert (“I liked it so much I bought the company”)
Mooney’s sticks the proverbial two fingers up with his corporate
motto “he hated it so much he didn’t buy the company”.
(John Beagles, from the essay 'A Feast of Folly'). |
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