1 What is/are the primary reason(s) for you to make work in the first place? The motivation to produce works, for me, always links to self-recognition, especially on the level of my social role. As an art practitioner, I think his or her role is to provide a viewpoint to break through the rules constructed by public in order to recognize more directly our way of thinking and living. 2 What do you intend your work to convey to an audience? In my body of work, I try to construct structures reflect on our situations and experiences. Through the structures, I would like to arouse the questions to the audience, in the one hand and to raise their creativity in the other hand. 3 Why do you work in your chosen medium and format? The reason I use not only single medium is based on the need of different contents and different groups of viewers. That is to say, I work with project not medium. 4 Technically speaking how do you go about constructing your work, that is the image or object itself? What devices do you employ? While I construct my work, I always need to locate first my position and the audience. And to say audience could be very large definition, it could be my friends, people one the roads, and even the history of art. However, I am more interested in the affection of images so it always comes from my observation and then the feed back from the medium I choose. 5 Which period(s)/artists/specific works of art are you influenced by and how directly? How does this manifest in your work? I am more influenced by contemporary artists, especially around 60’s and 70’s. It was a period of conceptual art and it is essential for me to develop project from similar process but in the same time to identify and build visual language from my own time. 6 What stimulates/informs your work from the world around you? The thing stimulates me is always something I could identify with, for example, exotic fruit and economic fruit to my Asian origin. 7 What stimulates/informs your work from your own personal experience? Most influential thing might be my nomadic life in foreign codes systems and regimes. This awareness of being alienated provokes my research about language and identity. 8 From where do you derive your other visual source material (i.e. non art historical) and how do you implement this material within your work? I collect source material from mess media and images when I am moving from one place to another, which always has certain aims and I analyse the cause of the travelling and its connection to the social structure I am living with. In the end, transform these sources into a tangible form and insert it into again the society. 9 What are the main problems that you face in making your work? The problem might be always solved by the creativity and passion of doing it. 10 Where do you intend to take your work from here? My understanding of art practice is not a short period investigation but a long-term research and debate about my aesthetic believes; therefore, the next work should challenge and surpass the work I am doing now.