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BORN: |
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| UK 1975 |
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LIVES/WORKS: |
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| London UK |
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EDUCATION: |
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| 2002 |
MA Painting |
Royal College of Art |
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2000 | BA
Fine Art |
City and Guilds of London Art School |
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SOLO EXHIBITIONS: |
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| 2008 |
New Dawn |
Chapter Gallery, Assembly Solo, Cardiff |
| 2008 |
Alex Gene Morrison, New Video Work |
Alex Gene Morrison, New Video WorkMoot, Nottingham |
| 2007 |
Adift |
The Fishmarket – Northhampton- |
| 2006 |
Vile Lure |
Rockwell Gallery, London |
| 2004 |
Search and Destroy |
Rosy Wilde Gallery, London |
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SELECTED GROUP EXHIBITIONS: |
| 2008 |
John Moores Painting Prize 25 |
Walker Art Gallery, Liverpool |
| 2008 |
The Past Is History |
Changing Role Gallery Naples and Rome, Italy |
| 2008 |
Icon |
Primo Alonso Gallery, London |
| 2007 |
Loners Island |
G39,Cardiff |
| 2007 |
The Future Can Wait |
Ellis/Rumley Projects, London |
| 2007 |
Gire and Gimble |
Blyth Gallery, Imperial college, London |
| 2007 |
Nature and Society |
Dubrovacki Muzeji (Dubrovnik Museums) Croatia |
| 2007 |
Visions at the Nunnery |
The Nunnery, London |
| 2006 |
Metropolis Rise, New Art from London |
Shanghai and Beijing, China |
| 2005 |
Fuckin Brilliant,/ Majai Yabai |
Tokyo Wondersite, Japan |
| 2005 |
Hydrophobia |
Zinger Presents, Netherlands |
| 2005 |
New London Kicks |
Wooster Projects, curated by Simon Rumley, New York |
| 2005 |
The Darkest Hour |
Leisure Club Mogadishni,, Copenhagen |
| 2004 |
Born Cry Eat Shit Fuck Die |
Rockwell Gallery, London |
| 2001 |
Modern Love |
Hobbypop Museum, Dusseldorf |
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BIBLIOGRAPHY: |
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2008 |
John Moores 25 Catalogue |
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2008 |
Words by Paul Pieroni, Artist Feature, Amelia’s Magazine Issue
9, Arts and Culture Biannual |
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2007 |
Catalogue, Text by Richard Dyer , Nature and Society,
Dubrovacki Muzeji (Dubrovnik Museums) |
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2006 |
Metropolis Rise: New Art from London – Catalogue, ed 1000, ISBN
NR,1-873352-44-1 |
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COLLECTIONS: |
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Wooster Projects, New York |
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David Roberts, UK |
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Various other private collections |
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ARTIST STATEMENT: |
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Through various media - painting, video/animation and collage, I
attempt to explore collisions of meaning, duality within imagery
and a sense of the uncanny. The idea of seduction and repulsion
is important within the work on both an aesthetic and conceptual
level. There is a sense that through destruction there may be
the possibility for re-newel, for creation, metamorphosis and
therefore evolution. All of this essentially occurs within the
same alternate universe, from one work to another there is a
potential non-specific narrative link that forms a cast of
characters, props and locations. |