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BORN: |
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| Lancashire 1981 |
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LIVES/WORKS: |
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| London, England |
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EDUCATION: |
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| 2003-2005 |
M.A. Painting |
Royal Collage of Art | |
2000-2003 |
B.A. Hons. Fine Art |
Byam-Shaw School of Art |
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SOLO EXHIBITIONS: |
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| 2006 |
The Lights Are On But There's Nobody Home |
One Small Step, London |
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SELECTED GROUP EXHIBITIONS: |
| 2008 |
'A Modest Proposal' |
N.G.C.A. Sunderland |
| 2008 |
Command and Control |
Standpoint Gallery, London |
| 2007 |
Jerwood contemporary painters |
Jerwood Foundation, London, Cardiff, Salford |
| 2007 |
Stick, Stamp, Fly |
Gasworks, London |
| 2006 |
East international |
Norwich Gallery, Norwich |
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AWARDS & RESIDENCIES: |
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2005 |
The Fatima and Faiza H Alkazzi Award for Painting, Royal College
of Art. |
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ARTIST STATEMENT: |
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Adam Latham’s posters, drawings and watercolours ask us to
measure our own attitudes in relation to those of our
predecessors. His works combine texts and images from the
present with those from previous generations. The juxtapositions
are often alarming and test our credulity. Latham’s sources
include First World War propaganda posters, Victorian
illustrations and modern advertising, imagery that attempts to
persuade the viewer to adopt a particular point of view. Seen in
retrospect, these images reveal assumptions about what the
differences are between us - between classes, the two sexes, and
different ethnic groups. By re-using pictures that clearly
reflect the prejudices of our great- grandparents’ eras, Latham
asks if we are really free from prejudice, or if we are simply
as ignorant of what ideas underpin our worldview as our
forefathers. |
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